1964

Hello, movie lovers. You may want to subscribe to my RSS feed. Thanks for visiting!

Win indicated by an asterisk (*)

1964 (37th)

ACTOR

 

Richard Burton — Becket {”Thomas Becket”}
*

Rex Harrison — My Fair Lady {”Professor Henry Higgins”}
 

Peter O’Toole — Becket {”King Henry II”}
 

Anthony Quinn — Zorba the Greek {”Alexis Zorba”}
 

Peter Sellers — Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb {”Group Captain Lionel Moondrake/President Muffley/Dr. Strangelove”}

ACTOR IN A SUPPORTING ROLE

 

John Gielgud — Becket {”King Louis VII of France”}
 

Stanley Holloway — My Fair Lady {”Alfred P. Doolittle”}
 

Edmond O’Brien — Seven Days in May {”Senator Raymond Clark”}
 

Lee Tracy — The Best Man {”Art Hockstader”}
*

Peter Ustinov — Topkapi {”Arthur Simpson”}

ACTRESS

*

Julie Andrews — Mary Poppins {”Mary Poppins”}
 

Anne Bancroft — The Pumpkin Eater {”Jo Armitage”}
 

Sophia Loren — Marriage Italian Style {”Filomena Marturano”}
 

Debbie Reynolds — The Unsinkable Molly Brown {”Molly Brown”}
 

Kim Stanley — Seance on a Wet Afternoon {”Myra Savage”}

ACTRESS IN A SUPPORTING ROLE

 

Gladys Cooper — My Fair Lady {”Mrs. Higgins”}
 

Dame Edith Evans — The Chalk Garden {”Mrs. St. Maugham”}
 

Grayson Hall — The Night of the Iguana {”Judith Fellowes”}
*

Lila Kedrova — Zorba the Greek {”Madame Hortense”}
 

Agnes Moorehead — Hush…Hush, Sweet Charlotte {”Velma Cruther”}

ART DIRECTION (Black-and-White)

 

The Americanization of Emily — Art Direction: George W. Davis, Hans Peters, Elliot Scott; Set Decoration: Henry Grace, Robert R. Benton
 

Hush…Hush, Sweet Charlotte — Art Direction: William Glasgow; Set Decoration: Raphael Bretton
 

The Night of the Iguana — Stephen Grimes
 

Seven Days in May — Art Direction: Cary Odell; Set Decoration: Edward G. Boyle
*

Zorba the Greek — Vassilis Fotopoulos

ART DIRECTION (Color)

 

Becket — Art Direction: John Bryan, Maurice Carter; Set Decoration: Patrick McLoughlin, Robert Cartwright
 

Mary Poppins — Art Direction: Carroll Clark, William H. Tuntke; Set Decoration: Emile Kuri, Hal Gausman
*

My Fair Lady — Art Direction: Gene Allen, Cecil Beaton; Set Decoration: George James Hopkins
 

The Unsinkable Molly Brown — Art Direction: George W. Davis, Preston Ames; Set Decoration: Henry Grace, Hugh Hunt
 

What a Way to Go! — Art Direction: Jack Martin Smith, Ted Haworth; Set Decoration: Walter M. Scott, Stuart A. Reiss

CINEMATOGRAPHY (Black-and-White)

 

The Americanization of Emily — Philip H. Lathrop
 

Fate Is the Hunter — Milton Krasner
 

Hush…Hush, Sweet Charlotte — Joseph Biroc
 

The Night of the Iguana — Gabriel Figueroa
*

Zorba the Greek — Walter Lassally

CINEMATOGRAPHY (Color)

 

Becket — Geoffrey Unsworth
 

Cheyenne Autumn — William H. Clothier
 

Mary Poppins — Edward Colman
*

My Fair Lady — Harry Stradling
 

The Unsinkable Molly Brown — Daniel L. Fapp

COSTUME DESIGN (Black-and-White)

 

A House Is Not a Home — Edith Head
 

Hush…Hush, Sweet Charlotte — Norma Koch
 

Kisses for My President — Howard Shoup
*

The Night of the Iguana — Dorothy Jeakins
 

The Visit — René Hubert

COSTUME DESIGN (Color)

 

Becket — Margaret Furse
 

Mary Poppins — Tony Walton
*

My Fair Lady — Cecil Beaton
 

The Unsinkable Molly Brown — Morton Haack
 

What a Way to Go! — Edith Head, Moss Mabry

DIRECTING

 

Becket — Peter Glenville
 

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb — Stanley Kubrick
 

Mary Poppins — Robert Stevenson
*

My Fair Lady — George Cukor
 

Zorba the Greek — Michael Cacoyannis

DOCUMENTARY (Feature)

 

The Finest Hours — Jack Le Vien, Producer
 

Four Days in November — Mel Stuart, Producer
 

The Human Dutch — Bert Haanstra, Producer
*

Jacques-Yves Cousteau’s World without Sun — Jacques-Yves Cousteau, Producer
 

Over There, 1914-18 — Jean Aurel, Producer

DOCUMENTARY (Short Subject)

 

Breaking the Habit — Henry Jacobs and John Korty, Producers
 

Children Without — Charles Guggenheim, Producer
 

Kenojuak — National Film Board of Canada
*

Nine from Little Rock — Charles Guggenheim, Producer
 

140 Days under the World — Geoffrey Scott and Oxley Hughan, Producers

FILM EDITING

 

Becket — Anne Coates
 

Father Goose — Ted J. Kent
 

Hush…Hush, Sweet Charlotte — Michael Luciano
*

Mary Poppins — Cotton Warburton
 

My Fair Lady — William Ziegler

FOREIGN LANGUAGE FILM

 

Raven’s End — Sweden
 

Sallah — Israel
 

The Umbrellas of Cherbourg — France
 

Woman in the Dunes — Japan
*

Yesterday, Today and Tomorrow — Italy

MUSIC (Music Score–substantially original)

 

Becket — Laurence Rosenthal
 

The Fall of the Roman Empire — Dimitri Tiomkin
 

Hush…Hush, Sweet Charlotte — Frank DeVol
*

Mary Poppins — Richard M. Sherman, Robert B. Sherman
 

The Pink Panther — Henry Mancini

MUSIC (Scoring of Music–adaptation or treatment)

 

A Hard Day’s Night — George Martin
 

Mary Poppins — Irwin Kostal
*

My Fair Lady — Andre Previn
 

Robin and the 7 Hoods — Nelson Riddle
 

The Unsinkable Molly Brown — Robert Armbruster, Leo Arnaud, Jack Elliott, Jack Hayes, Calvin Jackson, Leo Shuken

MUSIC (Song)

*

“Chim Chim Cher-ee” from Mary Poppins — Music and Lyrics by Richard M. Sherman and Robert B. Sherman
 

“Dear Heart” from Dear Heart — Music by Henry Mancini; Lyrics by Jay Livingston and Ray Evans
 

“Hush…Hush, Sweet Charlotte” from Hush…Hush, Sweet Charlotte — Music by Frank DeVol; Lyrics by Mack David
 

“My Kind of Town” from Robin and the 7 Hoods — Music by James Van Heusen; Lyrics by Sammy Cahn
 

“Where Love Has Gone” from Where Love Has Gone — Music by James Van Heusen; Lyrics by Sammy Cahn

BEST PICTURE

 

Becket — Hal B. Wallis, Producer
 

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb — Stanley Kubrick, Producer
 

Mary Poppins — Walt Disney and Bill Walsh, Producers
*

My Fair Lady — Jack L. Warner, Producer
 

Zorba the Greek — Michael Cacoyannis, Producer

SHORT SUBJECT (Cartoon)

 

Christmas Cracker — National Film Board of Canada
 

How to Avoid Friendship — William L. Snyder, Producer
 

Nudnik #2 — William L. Snyder, Producer
*

The Pink Phink — David H. DePatie and Friz Freleng, Producers

SHORT SUBJECT (Live Action)

*

Casals Conducts: 1964 — Edward Schreiber, Producer
 

Help! My Snowman’s Burning Down — Carson Davidson, Producer
 

The Legend of Jimmy Blue Eyes — Robert Clouse, Producer

SOUND

 

Becket — Shepperton Studio Sound Department, John Cox, Sound Director
 

Father Goose — Universal City Studio Sound Department, Waldon O. Watson, Sound Director
 

Mary Poppins — Walt Disney Studio Sound Department, Robert O. Cook, Sound Director
*

My Fair Lady — Warner Bros. Studio Sound Department, George R. Groves, Sound Director
 

The Unsinkable Molly Brown — Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton, Sound Director

SOUND EFFECTS

*

Goldfinger — Norman Wanstall
 

The Lively Set — Robert L. Bratton

SPECIAL VISUAL EFFECTS

*

Mary Poppins — Peter Ellenshaw, Eustace Lycett, Hamilton Luske
 

7 Faces of Dr. Lao — Jim Danforth

WRITING (Screenplay–based on material from another medium)

*

Becket — Edward Anhalt
 

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb — Stanley Kubrick, Peter George, Terry Southern
 

Mary Poppins — Bill Walsh, Don DaGradi
 

My Fair Lady — Alan Jay Lerner
 

Zorba the Greek — Michael Cacoyannis

WRITING (Story and Screenplay–written directly for the screen)

*

Father Goose — Story by S. H. Barnett; Screenplay by Peter Stone, Frank Tarloff
 

A Hard Day’s Night — Alun Owen
 

One Potato, Two Potato — Story by Orville H. Hampton; Screenplay by Raphael Hayes, Orville H. Hampton
 

The Organizer — Age, Scarpelli, Mario Monicelli
 

That Man from Rio — Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger, Philippe De Broca

HONORARY AWARD

* To William Tuttle for his outstanding make-up achievement for ‘7 Faces of Dr. Lao.’

SCIENTIFIC OR TECHNICAL AWARD (Class I)

* To PETRO VLAHOS, WADSWORTH E. POHL and UB IWERKS for the conception and perfection of techniques for Color Traveling Matte Composite Cinematography. [Special Photographic]

SCIENTIFIC OR TECHNICAL AWARD (Class II)

* To SIDNEY P. SOLOW, EDWARD H. REICHARD, CARL W. HAUGE and JOB SANDERSON of Consolidated Film Industries for the design and development of a versatile Automatic 35mm Composite Color Printer. [Laboratory]
* To PIERRE ANGENIEUX for the development of a ten-to-one Zoom Lens for cinematography. [Lenses and Filters]

SCIENTIFIC OR TECHNICAL AWARD (Class III)

* To MILTON FORMAN, RICHARD B. GLICKMAN and DANIEL J. PEARLMAN of Colortran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps. [Lighting]
* To STEWART FILMSCREEN CORPORATION for a seamless translucent Blue Screen for Traveling Matte Color Cinematography. [Special Photographic]
* To ANTHONY PAGLIA and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for an improved method of producing Explosion Flash Effects for motion pictures. [Stage Operations]
* To EDWARD H. REICHARD and CARL W. HAUGE of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers. [Laboratory]
* To EDWARD H. REICHARD, LEONARD L. SOKOLOW and CARL W. HAUGE of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black-and-white film. [Laboratory]
* To NELSON TYLER for the design and construction of an improved Helicopter Camera System. [Photography]