1996
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Win indicated by an asterisk (*)
- 1996 (69th)
ACTOR IN A LEADING ROLE
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Tom Cruise — Jerry Maguire {”Jerry Maguire”} |
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Ralph Fiennes — The English Patient {”Almasy”} |
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Woody Harrelson — The People vs. Larry Flynt {”Larry Flynt”} |
| * |
Geoffrey Rush — Shine {”David Helfgott”} |
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Billy Bob Thornton — Sling Blade {”Karl Childers”} |
ACTOR IN A SUPPORTING ROLE
| * |
Cuba Gooding, Jr. — Jerry Maguire {”Rod Tidwell”} |
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William H. Macy — Fargo {”Jerry Lundegaard”} |
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Armin Mueller-Stahl — Shine {”Peter Helfgott”} |
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Edward Norton — Primal Fear {”Aaron Stampler”} |
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James Woods — Ghosts of Mississippi {”Byron De La Beckwith”} |
ACTRESS IN A LEADING ROLE
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Brenda Blethyn — Secrets & Lies {”Cynthia”} |
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Diane Keaton — Marvin’s Room {”Bessie”} |
| * |
Frances McDormand — Fargo {”Marge Gunderson”} |
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Kristin Scott Thomas — The English Patient {”Katharine Clifton”} |
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Emily Watson — Breaking the Waves {”Bess”} |
ACTRESS IN A SUPPORTING ROLE
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Joan Allen — The Crucible {”Elizabeth Proctor”} |
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Lauren Bacall — The Mirror Has Two Faces {”Hannah Morgan”} |
| * |
Juliette Binoche — The English Patient {”Hana”} |
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Barbara Hershey — The Portrait of a Lady {”Madame Serena Merle”} |
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Marianne Jean-Baptiste — Secrets & Lies {”Hortense”} |
ART DIRECTION
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The Birdcage — Art Direction: Bo Welch; Set Decoration: Cheryl Carasik |
| * |
The English Patient — Art Direction: Stuart Craig; Set Decoration: Stephenie McMillan |
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Evita — Art Direction: Brian Morris; Set Decoration: Philippe Turlure |
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Hamlet — Tim Harvey |
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William Shakespeare’s Romeo & Juliet — Art Direction: Catherine Martin; Set Decoration: Brigitte Broch |
CINEMATOGRAPHY
| * |
The English Patient — John Seale |
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Evita — Darius Khondji |
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Fargo — Roger Deakins |
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Fly Away Home — Caleb Deschanel |
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Michael Collins — Chris Menges |
COSTUME DESIGN
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Angels and Insects — Paul Brown |
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Emma — Ruth Myers |
| * |
The English Patient — Ann Roth |
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Hamlet — Alex Byrne |
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The Portrait of a Lady — Janet Patterson |
DIRECTING
| * |
The English Patient — Anthony Minghella |
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Fargo — Joel Coen |
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The People vs. Larry Flynt — Milos Forman |
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Secrets & Lies — Mike Leigh |
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Shine — Scott Hicks |
DOCUMENTARY (Feature)
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The Line King: The Al Hirschfeld Story — Susan W. Dryfoos |
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Mandela — Jo Menell, Angus Gibson |
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Suzanne Farrell: Elusive Muse — Anne Belle, Deborah Dickson |
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Tell the Truth and Run: George Seldes and the American Press — Rick Goldsmith |
| * |
When We Were Kings — Leon Gast, David Sonenberg |
DOCUMENTARY (Short Subject)
| * |
Breathing Lessons: The Life and Work of Mark O’Brien — Jessica Yu |
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Cosmic Voyage — Jeffrey Marvin, Bayley Silleck |
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An Essay on Matisse — Perry Wolff |
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Special Effects — Susanne Simpson, Ben Burtt |
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The Wild Bunch: An Album in Montage — Paul Seydor, Nick Redman |
FILM EDITING
| * |
The English Patient — Walter Murch |
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Evita — Gerry Hambling |
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Fargo — Roderick Jaynes |
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Jerry Maguire — Joe Hutshing |
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Shine — Pip Karmel |
FOREIGN LANGUAGE FILM
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A Chef in Love — Georgia |
| * |
Kolya — Czech Republic |
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The Other Side of Sunday — Norway |
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Prisoner of the Mountains — Russia |
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Ridicule — France |
MAKEUP
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Ghosts of Mississippi — Matthew W. Mungle, Deborah La Mia Denaver |
| * |
The Nutty Professor — Rick Baker, David LeRoy Anderson |
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Star Trek: First Contact — Michael Westmore, Scott Wheeler, Jake Garber |
MUSIC (Original Dramatic Score)
| * |
The English Patient — Gabriel Yared |
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Hamlet — Patrick Doyle |
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Michael Collins — Elliot Goldenthal |
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Shine — David Hirschfelder |
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Sleepers — John Williams |
MUSIC (Original Musical or Comedy Score)
| * |
Emma — Rachel Portman |
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The First Wives Club — Marc Shaiman |
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The Hunchback of Notre Dame — Music by Alan Menken; Lyrics by Stephen Schwartz; Orchestral Score by Alan Menken |
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James and the Giant Peach — Randy Newman |
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The Preacher’s Wife — Hans Zimmer |
MUSIC (Original Song)
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“Because You Loved Me” from Up Close and Personal — Music and Lyric by Diane Warren |
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“For the First Time” from One Fine Day — Music and Lyric by James Newton Howard, Jud J. Friedman and Allan Dennis Rich |
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“I Finally Found Someone” from The Mirror Has Two Faces — Music and Lyric by Barbra Streisand, Marvin Hamlisch, Bryan Adams and Robert ‘Mutt’ Lange |
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“That Thing You Do!” from That Thing You Do! — Music and Lyric by Adam Schlesinger |
| * |
“You Must Love Me” from Evita — Music by Andrew Lloyd Webber; Lyric by Tim Rice |
BEST PICTURE
| * |
The English Patient — Saul Zaentz, Producer |
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Fargo — Ethan Coen, Producer |
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Jerry Maguire — James L. Brooks, Laurence Mark, Richard Sakai and Cameron Crowe, Producers |
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Secrets & Lies — Simon Channing-Williams, Producer |
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Shine — Jane Scott, Producer |
SHORT FILM (Animated)
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Canhead — Timothy Hittle, Chris Peterson |
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La Salla — Richard Condie |
| * |
Quest — Tyron Montgomery, Thomas Stellmach |
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Wat’s Pig — Peter Lord |
SHORT FILM (Live Action)
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De Tripas, Corazon — Antonio Urrutia |
| * |
Dear Diary — David Frankel, Barry Jossen |
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Ernst & Lyset — Kim Magnusson, Anders Thomas Jensen |
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Esposados — Juan Carlos Fresnadillo |
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Wordless — Bernadette Carranza, Antonello De Leo |
SOUND
| * |
The English Patient — Walter Murch, Mark Berger, David Parker, Chris Newman |
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Evita — Andy Nelson, Anna Behlmer, Ken Weston |
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Independence Day — Chris Carpenter, Bill W. Benton, Bob Beemer, Jeff Wexler |
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The Rock — Kevin O’Connell, Greg P. Russell, Keith A. Wester |
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Twister — Steve Maslow, Gregg Landaker, Kevin O’Connell, Geoffrey Patterson |
SOUND EFFECTS EDITING
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Daylight — Richard L. Anderson, David A. Whittaker |
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Eraser — Alan Robert Murray, Bub Asman |
| * |
The Ghost and the Darkness — Bruce Stambler |
VISUAL EFFECTS
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Dragonheart — Scott Squires, Phil Tippett, James Straus, Kit West |
| * |
Independence Day — Volker Engel, Douglas Smith, Clay Pinney, Joseph Viskocil |
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Twister — Stefen Fangmeier, John Frazier, Habib Zargarpour, Henry La Bounta |
WRITING (Screenplay Based on Material Previously Produced or Published)
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The Crucible — Arthur Miller |
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The English Patient — Anthony Minghella |
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Hamlet — Kenneth Branagh |
| * |
Sling Blade — Billy Bob Thornton |
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Trainspotting — John Hodge |
WRITING (Screenplay Written Directly for the Screen)
| * |
Fargo — Ethan Coen, Joel Coen |
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Jerry Maguire — Cameron Crowe |
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Lone Star — John Sayles |
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Secrets & Lies — Mike Leigh |
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Shine — Screenplay by Jan Sardi; Story by Scott Hicks |
HONORARY AWARD
| * | To Michael Kidd in recognition of his services to the art of the dance in the art of the screen. |
IRVING G. THALBERG MEMORIAL AWARD
| * |
Saul Zaentz |
SCIENTIFIC AND TECHNICAL AWARD (Academy Award of Merit)
| * | To IMAX CORPORATION for the method of filming and exhibiting high-fidelity, large-format, wide-angle motion pictures. [Systems] |
SCIENTIFIC AND TECHNICAL AWARD (Scientific and Engineering Award)
| * | To JOHN SCHLAG, BRIAN KNEP, ZORAN KACIC-ALESIC and THOMAS WILLIAMS for the development of the Viewpaint 3D Paint System for film production work. [Special Photographic] |
| * | To WILLIAM REEVES for the original concept and the development of particle systems used to create computer generated visual effects in motion pictures. [Special Photographic] |
| * | To JIM HOURIHAN for the primary design and development of the interactive language-based control of partical systems as embodied in the Dynamation software package. [Special Photographic] |
| * | To JONATHAN ERLAND and KAY BEVING ERLAND for the development of the Digital Series Traveling Matte Backing System used for composite photography in motion pictures. [Special Photographic] |
SCIENTIFIC AND TECHNICAL AWARD (Technical Achievement Award)
| * | To PERRY KIVOLOWITZ, for the primary design, and DR. GARTH A. DICKIE for the development of the algorithms, for the shape-driven warping and morphing subsystem of the Elastic Reality Special Effects System. [Special Photographic] |
| * | To KEN PERLIN for the development of Perlin Noise, a technique used to produce natural appearing textures on computer generated surfaces for motion picture visual effects. [Special Photographic] |
| * | To NESTOR BURTNYK and MARCELI WEIN of the National Research Council of Canada for their pioneering work in the development of software techniques for Computer Assisted Key Framing for Character Animation. [Cartoon Process] |
| * | To GRANT LOUCKS for the concept and specifications of the Mark V Director’s Viewfinder. [Photography] |
| * | To BRIAN KNEP, CRAIG HAYES, RICK SAYRE and THOMAS WILLIAMS for the creation and development of the Direct Input Device. [Special Photographic] |
| * | To JAMES KAJIYA and TIMOTHY KAY for their pioneering work in producing computer generated fur and hair in motion pictures. [Special Photographic] |
| * | To JEFFREY YOST, CHRISTIAN ROUET, DAVID BENSON and FLORIAN KAINZ for the development of a system to create and control computer generated fur and hair in motion pictures. [Special Photographic] |
| * | To RICHARD A. PREY and WILLIAM N. MASTEN for the design and development of the Nite Sun II lighting crane and camera platform. [Camera Cranes] |
AWARD OF COMMENDATION
| * | To Joe Lombardi in celebration of 50 years in the motion picture industry. His knowledge and leadership in the field of pyrotechnics and special effects along with his uncompromising promotion of safety on the set have established the standard for today’s special effects technicians. |
JOHN A. BONNER MEDAL OF COMMENDATION
| * | To Volker W. Bahnemann in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |
| * | To Burton ‘Bud’ Stone in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. |